6th
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Peter Callesen:
My paper works have been based around an exploration of the relationship between two and three dimensionality. I find this materialization of a flat piece of paper into a 3D form almost a magic process - or maybe one could call it obvious magic, because the process is obvious and the figures still stick to their origin, without the possibility of escaping. In that sense there is also an aspect of something tragic in most of the cuts. Some of the small paper cuts relate to a universe of fairy tales and romanticism, as for instance Impenetrable Castle inspired by Hans Christian Andersen’s fairy tale The Steadfast Tin Soldier, in which a tin soldier falls in love with a paper ballerina, living in a paper castle. Other paper cuts are small dramas in which small figures are lost within and threatened by the huge powerful nature. Others again are turning the inside out, or letting the front and the back of the paper meet - dealing with impossibility, illusions, and reflections.
Squeezed into an over-crowded Hong Kong where space is a luxury, this ultra hip 330 square foot apartment features a futuristic sliding wall system that creates up to 24 different room combinations.
“Well, it’s christmas time, pretty baby - and the snow is falling on the ground”. ELVIS PRESLEY - ‘Santa Claus Is Back In Town’ - 1957 78rpm
Alas Smith & Jones: The Egyptian Builder - or why the pyramids looke the way they do. Notice any similarities to IT architects? :-D